Showing posts with label Emma 2009. Show all posts
Showing posts with label Emma 2009. Show all posts

Friday, 4 January 2013

Emma 2009 Costumes

As a lover of Jane Austen's works, once I have read one of her books, I always feel the need to have more. The best way to fill that need? Watch a screen adaptation of course!
My favourite of Austen's main 6 novels is "Emma". As far as I know, there are 4 screen adaptations of it: 2 BBC series, a made-for-TV film by ITV, and the Miramax film (I'll probably make a post about all of them and what I like about each one some day). And since watching it when it was aired back in 2009, I've grown to really love it. Romola Garai (who has also starred as Amelia Sedley in the 2004 "Vanity Fair" and is currently in the BBC series "The Hour" as Bel Rowley) is my favourite Emma by far. However, I didn't make this blog post to talk about why I love that particular series so much, but to show one of the reasons - the costumes!
Emma was published in December 1815. Fashion in 1815 looked like this: 







Compare the above plates to these costumes of the 2009 Emma:
Ball dress
Evening dress
Walking dress

















In this adaptation of Emma, there's very few white dresses, as the Ackermann's plates show above. In the costume feature on the DVD (I recommend you buy the DVDs not only for the series but also for the 4 special features on location, costume, music and Mr Woodhouse), the costume designer, Rosalind Ebbutt, says:
"...I started off with the idea that this was a Georgian oil painting using really strong Georgian colours."

When talking about the coat I've put a picture of above, she says:
"This coat was copied from one in the museum in Kyoto." I think the coat she's talking about might be this one:



This coat is the most similar from the Kytoto Institute Online Archives, however the 'skirt' bit is different. Click the picture to see more information about this particular coat.
This coat is labelled as being circa 1810, so I think the costumes weren't designed to be particularly 1815, but just to give a look of the Regency era in general. Personally I think this works well, as it means more freedom in the design, so they can do what they wanted to in making it look like a Georgian oil painting using strong colours.






The ball dress I have put a picture of above is also an interesting piece of costume to learn about. In the special feature, Rosalind Ebbutt says that it was "layers... of different coloured fabric to get this sort of shimmery effect, because one of the things we didn't want to do was to have sort of plain, flat pastels, so, and by doing layers of fabric over one another you get a much more interesting effect when it's lit." I not only find that quote interesting to learn how they made the dress (it really is a beautiful ball gown), but also interesting to show that it also very much matters about how it will look when on film with the lighting changing how it looks slightly, and how they've used this to their advantage to make a beautiful dress look even better.

The last quote I found particularly interesting was: "The idea was that it should look just like real people, set very much in their society, with all different echelons of society, wearing clothes that were interesting and attractive, but that could still be appreciated by the modern eye, whilst remaining true to early 19th century." I think it's a perfect description of the costumes. Emma's are elegant but not necessarily fashionable, and quite simple too, which I think reflects her country life really well. If you watch this series, you'll also see that Harriet's are quite earthy and then start to be almost like copies of what Emma wears. My favourite costumes have to be Mrs Elton's though, as they are so ridiculously extravagant!


First impressions
I have the greatest dislike to the idea of being over-trimmed -- quite a horror of finery...
Dusty country life
I believe a lot of her dresses were actually "recycled" costumes from other costume dramas set in the Regency, however I think that they were picked remarkably well to match the overall look they were going for whilst also representing Mrs Elton's personality and background well. My favourite piece of costume of Mrs Elton's is the above-pictured yellow and pink spencer. Nevermind that it matches Mrs Elton so well - I think it's quite pretty!

I would highly recommend watching this series of Emma. Obviously I have a deep love of the costumes and in my opinion the actors and actresses are very, VERY well chosen for the parts. I know a few people have problems with the script but that's the only complaints about this series I've ever heard. And the costuming feature on the DVD is really interesting to watch and quite useful for any beginner aspiring costumers like myself!

Sunday, 16 December 2012

Happy Birthday, Jane Austen!

For those unknowing, today is Jane Austen's birthday! In celebration, I have decided to watch the 2009 BBC series of "Emma", starring Romola Garai. Whilst not many people seem to like this version, I adore it. It is true that some of the best bits of the novel have been missed in this version, but I just love the costumes - and I think the actors and actresses are close to perfectly chosen for the parts.
Romola Garai as Emma, and Louise Dylan as Harriet Smith
I have decided to make a post about Jane Austen not only because it is her birthday, but because I have so much to thank her for - despite the fact she hasn't been around for quite a while.

A 10-year-old me was in the airport, waiting to go to Turkey with her family for the summer. I had nothing to read on the aeroplane, and so my mum took me to WHSmith in duty free. I didn't know what to pick, so she took me to the Classics section, and I decided I wanted to read Pride and Prejudice. I only read a little on the aeroplane, and didn't come back to it until the school year began. And so my obsession for all things Jane Austen began!
After reading the novels, I started finding out about, and watching, multiple adaptations. Seeing the Empire-line gowns made me really fall in love with the era, in terms of fashion. From that point I looked at other time periods, and I really loved the clothes! It was then I realised I wanted to have a career where I could be around beautiful clothing every day.
A year ago, I started textiles GCSE when I moved schools. And so I decided costuming was the route I wanted to take. If it hadn't been for Jane Austen, I would never have had such a deep appreciation for historical costuming!

Another thing I have to thank Jane Austen for is my love of reading. I have always loved reading, but discovering Jane Austen pushed me towards classics, and I now adore reading classic fiction (I do love reading modern fiction too, but not quite as much).

The first costume I ever put together was for October MCM Expo of 2011, and it was a cosplay of Emma Woodhouse. The first costume I ever made - for a textiles practice project - was a white cotton Regency gown, using the Sense & Sensibility pattern. After doing that, I made an undergarment that was like a cross between short stays and a bodiced petticoat, completely from scratch. All of this was done for my love of all things Jane Austen!